The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - that you'd thought special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead. And it's as if a hand has come out, and taken yours.
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.
I am writing a book on how to write a book so I can learn how to properly explain why you look better with the lights on. I listen to a song but it doesn't mention your name so I stop listening to the song. Your heart is noise pop. White noise is ghosts missing the streamers that fall from your ears while you sing in the car. Vermont is not far if you are already in Vermont. My cat looks at me and then walks away. He is named either after a famous musician or a body of water. There are so many words I refuse to learn how to spell. Still, I spell check your thighs after I bend you over my desk. I spell check the inside of your left ear while you bite yourself on the kitchen table. Prostrate. Today I am writing in grunts, playing in fonts. My chest hair is size 44 Comic Sans. My eyebrows are whittled away before I leave the mall. I have set under the same sun as you for 25 years. Sometimes I have walked under the same sun as you. Repetition sun. Staccato sun. Wrinkled sun. I tell your skin that covers your clavicle we've got at least 53 more years of holding hands on a beach under the same sun.. The sequel to this poem is John Cusack holding a boombox over his head under barely any sun. Fact:I want to kiss your nose even when I'm not inside you.
My life is yawning at me like a big white sheet of paper that I am supposed to fill with writing, but I can't produce a single letter. My head is an empty ballroom, a few weathered roses and crinkled ribbons on the floor, cracked violins in the corner, the last dancers have put down their masks and are looking at each other with worn out eyes.
The things is to love life to love it even when you have no stomach for it, when everything you've held dear crumbles like burnt paper in your hands and your throat is filled with the silt of it. When grief sits with you so heavily it's like heat, tropical, moist, thickening the air so it's heavy like water more fit for gills than lungs. When grief weights you like your own flesh only more of it, an obesity of grief. How long can a body withstand this? you think, and yet you hold life like a face between your palms, a plain face, with no charming smile, or twinkle in her eye, and you say, yes, I will take you I will love you again.
Love never dies a natural death. It dies because we don't know how to replenish it's source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
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